Making her role debut in a performance dubbed “a high point of the season” by the New York Times, Nadine Sierra was applauded by audiences and critics alike for Monday’s premiere of Idomeneo. As Ilia, “Nadine Sierra brought her bright, agile voice to the role, singing with expressivity and tenderness,” added the Times.
“The performance was musically superb. This started immediately with the impassioned overture, then Sierra burst open with a recitative and “Padre, germani, addio,” setting the pace for everything to come. Her voice balanced youthful shine and, just under the surface, deep feeling,” added the New York Classical Review. “She was incandescent all night, singing with great ease and richness, and modulating naturally between moods of loss, love, regret, and pride.”
“In only her third role at the Met… [Sierra] is a delight to see and hear,” concurred the Huffington Post. “She has a silvery bell-like voice that was especially tender and lovely in Ilia’s third-act aria ‘Zeffiretti lusinghieri.’”
(Photo: Marty Sohl)