Soprano Nadine Sierra has been named the winner of the 13 th annual Beverly Sills Artist Award for young singers at the MetropolitanOpera. The $50,000 award, the largest of its kind in the United States, is given to extraordinarily gifted singers between the ages of 25 and 40 who have already appeared in featured solo roles at the Met. The award, given in honor of Beverly Sills, was established in 2006 by an endowment gift from the late Agnes Varis, a managing director on the Met board. In 2009 Sierra became the youngest ever winner of the Metropolitan Opera National Council Auditions and has gone on to make her mark at the Met with memorable performances in Verdi’s Rigoletto, and Mozart’s Le Nozze di
Figaro, Idomeneo and Don Giovanni. In the Met’s 2018-19 season, Sierra will reprise the role of Gilda in Rigoletto.
Met General Manger Peter Gelb presented Sierra with the award today, saying: “Nadine is a most deserving recipient. I’m sure that Beverly would have been pleased
with our choice.”
The Sills Award was created to help further recipients’ careers, including funding for voice lessons, vocal coaching, language lessons, related travel costs, and other professional assistance. Sills, who passed away in 2007, was well known as a supporter and friend to developing young artists, and this award continues her legacy as an advocate for rising singers. The 29-year- old Sierra is the 13 th recipient of the award, following baritone Nathan Gunn in 2006, mezzo-soprano Joyce DiDonato in 2007, tenor Matthew Polenzani in 2008, bass John Relyea in 2009, soprano Susanna Phillips in 2010, mezzo-soprano Isabel Leonard in 2011, soprano Angela Meade in 2012, tenor Brian Hymel in 2013, tenor Michael Fabiano in 2014, baritone Quinn Kelsey in 2015, soprano Ailyn Pérez in 2016, and mezzo-soprano Jamie Barton in 2017.
Nadine Sierra comments:
“This award is a true gift to singers because it honors not only
a beautiful artist in Beverley Sills, but treasures the legacy she left behind. It’s not enough
to say that I’m honored to be receiving it, but more that I feel incredibly humbled. Opera
can and should belong to anyone who has the pleasure of witnessing its timeless beauty. I
believe Ms. Sills, through all of her achievements and generosity of sharing this music
with people around the world for many decades, would certainly agree. I’m very thankful
to the Metropolitan Opera for selecting me as the recipient of such a meaningful and